The Tarot of Marseilles (or Tarot of Marseille), also widely known by the French designation Tarot de Marseille, is one of the standard patterns for the design of tarot cards. It is a pattern from which many subsequent tarot decks derive.
Michael Dummett’s research led him to conclude that – based on the lack of earlier documentary evidence – the Tarot deck was probably invented in northern Italy in the 15th century and introduced into southern France when the French conquered Milan and the Piedmont in 1499. The antecedents of the Tarot de Marseille would then have been introduced into southern France at around that time. The game of tarot died out in Italy but survived in France and Switzerland. When the game was reintroduced into northern Italy, the Marseille designs of the cards were also reintroduced to that region.
The name Tarot de Marseille is not of particularly ancient vintage; it was coined at least as early as 1889 by the French occultist Papus (Gérard Encausse) in Chapter XI of his book le Tarot des bohémiens (Tarot of the Bohemians), and was popularized in the 1930s by the French cartomancer Paul Marteau, who used this collective name to refer to a variety of closely related designs that were being made in the city of Marseille in the south of France, a city that was a centre of playing card manufacture, and were (in earlier, contemporaneous, and later times) also made in other cities in France. The Tarot de Marseille is one of the standards from which many tarot decks of the 19th century and later are derived.
In the English-speaking world, where there is little or no tradition of using tarots as playing cards, tarot decks only became known through the efforts of occultists influenced by French tarotists such as Etteilla, and later, Eliphas Lévi. These occultists later produced esoteric decks that reflected their own ideas, and these decks were widely circulated in the anglophone world. Various esoteric decks such as the Rider-Waite-Colman Smith deck (conceived by A. E. Waite and rendered by Pamela Colman Smith), and the Thoth Tarot deck (conceived by Aleister Crowley and rendered by Lady Frieda Harris) — and tarot decks inspired by those two decks—are most typically used. Waite, Colman Smith, Crowley and Harris were all former members of the influential, Victorian-era Hermetic Order of the Golden Dawn at different respective points in time; and the Golden Dawn, in turn, was influenced by Lévi and other French occult revivalists. Although there were various other respective influences (e.g., Etteilla’s pip card meanings in the case of Waite/Colman Smith), Waite/Colman Smith’s and Crowley/Harris’ decks were greatly inspired by the Golden Dawn’s member-use tarot deck and the Golden Dawn’s tarot curriculum. The Hermetic Order of the Golden Dawn was essentially the first in the Anglophone world to venture into esoteric tarot. Francophone occultists such as Court de Gebelin, Etteilla, Eliphas Lévi, Oswald Wirth and Papus were influential in fashioning esoteric tarot in the French-speaking world; the influence of these Francophone occultists has come to bear even on interpretation of the Tarot de Marseille cards themselves. Even though the Tarot de Marseille decks are not ‘occult’ “per se”, the imagery of the Tarot de Marseille decks arguably shows Hermetic influences (e.g., alchemy, astronomy, etc.).
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Lux Aurumque (“Light and Gold”, or “Light of Gold”) is a composition in one movement by Eric Whitacre. An American Grammy Award-winning composer and conductor. “Virtual Choir” projects, bringing individual voices from around the globe together into an online choir.
Piano suite by one of the most prominent music figures, French composer Claude Debussy (1890). Debussy commenced the suite in 1890 at age 28, but he did not finish or publish it until 1905.
Composed by Harry Gregson-Williams, a British composer, orchestrator, conductor, and music producer.
Composed by German composer, and big band leader James Last, from same named album Biscaya (1981). He is well known for his ”happy music”. Became an international success in interpretations by Andy Williams and Petula Clark.
The Israeli national anthem (instrumental), written by Naphtali Herz Imber, a Jewish poet from Zolochiv, Ukraine (1877). He wrote the first version of his poem while being hosted as a guest by a Jewish scholar in the city of Iasi, Romania.
Originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. Performed by Aaron Neville, an American R&B and soul singer.
Song by the American dream pop singer Julee Cruise. The instrumental version of the song, performed by Badalamenti, won a Grammy Award for Best Pop Instrumental Performance at the 32nd Grammy Awards.
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Song by Modèle Mécanique. Minimal wave, minimal synth and french.
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Instrumental song written for tv series Miami Vice. The Crockett refers to Don Johnson’s character. The song was composed by Jan Hammer.
A music theme from the movie ”A Beautiful Mind”, composed by James Roy Horner, an American composer, conductor, and orchestrator of orchestral and film music. He is noted for the integration of choral and electronic elements in many of his film scores.
From the The Trinity Session is a 1988 album by Cowboy Junkies. Blue Moon Revisited was originally released on ”It Came from Canada”, Vol. 4, a compilation of Canadian independent bands which is both a cover and an original, combining a new song by the band “Blue Moon”.
Song by Irish musician Enya, originally released as the second track on her 1991 album Shepherd Moons. The song mentions the Anemoi (Ancient Greek wind gods): Boreas, Afer Ventus (Africus), Eurus, and Zephyrus.
An instrumental theme written and recorded by Vangelis for the soundtrack of the 1981 film of the same name. “Chariots of Fire” has become somewhat synonymous with the Olympic Games. It was the official theme for the 1984 Winter Olympics in Sarajevo.
Accordion and piano driven music of Yann Tiersen. Soundtrack from the movie ”Amélie”. Yann Tiersen is a French musician. Recognized by distinctive sound, use of a large variety of instruments; primarily the guitar, synthesizer or violin together with other.
Originally a yiddish poem (lullaby) by Itzik Manger. The title means “On the Road Stands a Tree.” It tells the story of a boy who wants to become a bird so he can comfort a lonely tree during the winter, but his mother is worried that he’ll freeze in the cold weather.
From album Everything is Wrong, the third studio album by American electronica musician Moby, released in 1995. Everything is Wrong was released with a limited edition bonus disc of ambient music.
The Red Carpet is an original soundtrack song from World of Goo video game, composed by Kyle Gabler.
Composed and recorded by Irish singer Enya. Enya donated the earnings from the sale of that single to the Uniform Firefighters Association’s Widows’ and Children’s Fund to help the families of fire fighters in the aftermath of 9/11.
Jerusalem of Gold (ירושלים של זהב) is Israeli song written by Naomi Shemer in 1967. The original song described the Jewish people’s 2000-year longing to return to Jerusalem. Shemer added a final verse after the Six-Day War to celebrate Jerusalem’s re-unification.
Hans Zimmer is a German film composer and music producer and he has composed music for over 150 films. Zimmer’s works are notable for integrating electronic music sounds with traditional orchestral arrangements. Named on the list of Top 100 Living Geniuses.
Mike Volpe professionally known as Clams Casino, is an American hip hop producer. Clams Casino’s official debut EP, Rainforest, was released in 2011. I’m God is track from the television movie Lost in the New York (1989).
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ויכלו השמים והארץ וכל צבאם. ויכל אלהים ביום השביעי מלאכתו אשר עשה. וישבת ביום השביעי מכל מלאכתו אשר עשה. ויברך אלהים את יום השביעי ויקדש אותוכי בו שבת מכל מלאכתו אשר ברא אלהים לעשות
This is the instrumental version of the song “The Way” originally featured on the album The Way. Music composed, orchestrated, and mixed by Zack Hemsey. Audio mastered by Lou Hemsey @ Lou Hemsey Music and Film.
Electronic transcription of Henry Purcell’s Music for the Funeral of Queen Mary, composed in 1695, for the procession of Queen Mary’s cortège through London en route to Westminster Abbey. A Clockwork Orange soundtrack.
Piyut for Havdala service famous throughout great Sephardic Jewish Communities of the Balkans. Musicians are Stefan Sablic – vocals, Elad Gabbay – kanun, Srdjan Djordjevic – doublebass, Shira utfila.
Triarii is a martial industrial and dark ambient music group from Germany.
The lyrics for the song are taken from Psalm 137:5-6, saying: If I Forget Thee Jerusalem.